xREL.v3

SIGNAL Explained

2015-12-11

.: I N F O :.

SIGNAL by Output combines fat analog synthesis and live
instrument samples with its unique Pulse Engine to create wild
new sounds. Computer music guru Eli Krantzberg takes you deep
inside this unique, creative musical tool leaving no stone
unturned.

About the author Eli Krantzberg:
Eli Krantzberg 1. When did you start dabbling in music? I
started playing drums in high school at age fourteen. Like most
kids my age around then, I was into progressive rock. Genesis,
Emerson Lake and Palmer, and Yes. They rocked my world. A few
short years later though, my musical life changed. While
studying music in college I discovered Charlie Parker, Milt
Jackson, Sonny Stitt, and John Coltrane. Milt Jackson spoke to
me in such a profound way that it left me no choice but to take
up vibraphone. These great players, along with  drummers like
Philly Joe Jones, Max Roach, Art Blakey, and Elvin Jones changed
not only the way I thought about drumming, but also music - and
by extension, life - as a whole. I realized life was meant to be
a creative endeavor. The idea of improvising based on a loose
set of guidelines and rules permeated into my psyche even when I
wasn't holding a pair of drumsticks or mallets. But if I am
going to be perfectly truthful, I have to hold Henry Miller and
Woody Allen equally responsible for shaping the way I view and
experience the world around me. 2. What training have you had? I
am currently an Apple certified Logic Pro. Young and cocky, and
armed with only a partial University degree, I dropped out of
school and  began playing steady commercial hotel engagements
and jazz gigs when I could. This went on for many years until I
decided it was time to complete my degree - which I ultimately
did with a major in Political Science and a minor in music. It
was at this point that I formed my current band Nightshift. We
are going in to our twenty third year now - playing commercial
one nighters like weddings, corporate events, etc. Don't turn
your nose up at it though - it has allowed me a wonderful
quality of life. It gave me the freedom to go back to school and
complete a post graduate degree in Communications Studies - all
the while supporting myself by playing weddings. 3. When did you
get into recording? It was in this graduate program - in the
early nineties - that I found myself drawn to the fledgling
emerging universe of hard disc recording and midi sequencing.
Based on nothing more than the recommendation of one of my band
mates who had an old Atari, I jumped in head first and bought a
Mac LC ll, along with a version 1.1 of what was then Notator
Logic. I had no idea what I was getting myself into. But, in
hindsight, it was a decision of epic importance in my life -
shaping my future as much as the music of Milt Jackson and
Charlie Parker did fifteen years prior. I opened up my own
commercial home studio in 1998 and began doing a variety of
projects, working on radio jingles, artist CD projects, and
whatever came my way. A couple of years later a colleague called
me up - desperate. He was working at a post production house and
one of the editors had just quit. They were doing audio post for
a weekly TV series and needed a Pro Tools editor - and fast! And
so, once again, I jumped in head first into what would
ultimately open up my world even more - the world of Pro Tools.
4. People you have worked with/for? Focusing on Logic, I built
up a small but loyal client base and my phone kept ringing for
Logic tech support and instruction. Film composers and studio
owners all over the city were calling me. Even the music stores
were giving out my phone number at this point! This kind of
stuff becomes a self fulfilling prophecy. The more of it you do,
the more calls you get to keep doing it. At least that's the way
it should be! As my Logic chops kept growing, I was hired by an
old buddy of mine, Len Sasso, who was then an associate editor
at Electronic Musician magazine, and began writing some columns
for them. I had a blast doing them - and really learned to focus
and express my thoughts in a concise and clear manner. This lead
to a collaboration with LA based composer Terry Michael Huud on
the 2006 film called Civic Duty - which was certainly one of the
highlights of my professional life as a composer. 5. Why are you
so good at training people? I wake up every day excited to boot
up, and create. Whether it's instructional videos, creating
music, working with a studio client, performing with my band, or
teaching at the schools - my days are filled with what I love
doing. Enriched by the stimulation and creative freedom this
modern music making software brings to my life. I bring that
excitement and passion to each and every training product I
create. My years of experience both using and teaching these
programs has taught me the best way to make the user comfortable
with these complex programs.

.: M E T A :.

Type .... : Output, SIGNAL, Exhale, Rev, Pulse
Genre ... : Bookware
Lessons . : 10
Length .. : N/A
Author .. : Eli Krantzberg
Disks ... : 18
URL ..... : https://www.groove3.com/Output-training-video-tutorials/Signal-Explained

.: I N S T A L L :.

A) Unpack this release using your favorite RAR unpacker.
B) Load up the tutorial, and expand your knowledge.
C) Sit back, and enjoy!

.: J O I N :.
tutorials*inbox*lv


QUALITY BOOKWARE!