xREL.v3

IS PROUD TO PRESENT...

Deep.Purple.Concerto.For.Group.And.Orchestra.2002.COMPLETE.iNT.PAL.MDVDR-ToMTe

T E C N I C A L  I N F O

Store Date:               [ 2002 ]
Release Date:       [ 2008-06-13 ]
Source:                   [ DVD5 ]
Genre:             [ ROCK / LIVE ]
Format:                   [ .iso ]
Rars:                  [ 90x50MB ]
Playtime:           [ 54 minutes ]

V I D E O

Status: Untouched [x]  Touched
Passes:
Bitrate:
Region Free:                   [x]
Macrovision Free:              [x]
Aspect:      16:9 [ ]      4:3 [x]

A U D I O

DD 2.0 Mono   [ ]      DD 2.0  [x]
DD 2.1        [ ]      DD 5.0
DD 5.1        [x]     DTS 5.1  [x]
LPCM 2.0      [x]

AUDIO LANGUAGE: ENGLISH

S U B S

Eng [ ]       Ger [ ]      Fra
Spa [ ]       Ita [ ]      Dut
Por [ ]       Den [ ]      Swe
Fin [ ]       Nor [ ]      Isl
Pol [ ]       Cze [ ]      Tur
Heb [ ]       Gre [ ]      Cro

E X T R A S

All Included                   [x]
Partially Stripped
Fully Stripped

N O T E S

Complete DVD5 release, so untouched rip
with Decrypter.

U R L

http://www.amazon.co.uk/Deep-Purple-Concerto-Group-Orchestra/dp/B00006IU5R

R E A L E S E  I N F O

Filmed in 1969 right at the dawn of the infamous
Mark II lineup with Roger Glover, Jon Lord, Ritchie
Blackmore, Ian Paice, and Ian Gillan, this showcases
the ability to fuse Hard Rock with Classical.
Further proof that Classical has become the basis
for Heavy Metal songwriting and virtuosity, Concerto
showcases three orchestral movements composed by Jon
lord himself, who began his musical career as a
classically trained pianist.
This would be an amazing feat for any band during
this time period, for the most part up until this
point orchestration was not used on many rock
recordings, it had been something more widely used on
pop records such as ones by Phil Spector and the
Beatles. Fused very well with the bands playing, the
orchestra itself seems to be the main attraction.
Although the orchestra was conducted by Malcolm Arnold,
the band itself seems to be taking the cues from Lord,
who precisely guides the band's performance to his
perfection. It is Lord and Blackmore who stand in the
forefront this film. Lord Playing discreet classical
compositions on the Hammond Organ, which we now see
what has laid the foundation for many of his riffs
later heard on cuts like "Highway Star." But don't get
me wrong, he "rocks" it up pretty well here.
Blackmore plays his usual solos against the orchestra
backdrop, one interesting thing to note is that he is
playing a Gibson ES hollow body through a Vox AC-30 amp,
this was his setup right before he switched to his
trademark Stratocaster/Marshall setup. That shows you
how early in the Mark II lineup we are. Taking a back
seat is Ian Gillan who only sings a few verses during
the second concerto, most of the time he is seen
sitting in the background.
There are no other songs on this besides the concerto
itself, and we have to remember that before "Machine
Head" and "Who do we Think we Are?" It gives us insight
to Lord's ability as a composer. In contrast to 1999's
"In Concert with the London Symphony Orchestra," there
are no special guests, it is just an hour the three
concertos. There are lots of shots on the orchestra,
a small documentary at the beginning, and interactive
multimedia. This might be something that might be more
fun to listen to rather than watch for some people.
There are points during the performance where only the
orchestra is playing. Definitely enjoyable for many,
giving insight to the basis of where guitarists like
Yngwie Malmsteen and bands like Rhapsody got their
basis for their compositions/songs.
This is where where the conceptual music began.
Tracklist

1 Intro
2 First Movement: Moderato - Allegro
3 Second Movement: Andante
4 Third Movement: Vivace - Presto

You like? Go buy!! Support the Artist!!

C R E D I T S  &  G R P  N F O

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