xREL.v3

YARDVID  PRESENTS

title   :   Capleton - Paris' Burnin'
source   :   DVD PAL
DVD retail release   :   August 13, 2003
language   :   English
subtitles   :   None
release   :   Retail -FR
genre   :   Reggae
label   :   Jahmin' / Nextmusic
cat-nr   :   JAHDV 37
format   :   XviD
website   :   www.mediacom-agency.com & www.nextmusic.fr

ripped by   :   YARDVID SQUAD
audio   :   448kbps AC3
video   :   MPEG-4, bitrate 1639kbs
frame Rate   :   25.00fps
aspect ratio   :   4:3 FULL FRAME
resolution   :   576x432
disksize   :   49 X 15mb / Extras - 25 x 15mb
runtime   :   140 min

R E L E A S E  I N F O

R I P P E R S  N O T E S
We Brought You The First Capleton DVD installment on XviD
Capleton.Still.Blazin.Live.DVDRip.XviD.2003-YARDVID Now,
Enjoy This Excellently filmed show. Capleton Paris Burnin'
Extras Disk Included in release So You Can Peep The Full
Experience Of This Fine DVD... Includes Nice Tracks from
The Conscious Entertainers That Featured At This Capleton
Event.

D E S C R I P T I O N
Capleton Burnin' Dung Paris Wid One Wikked Performance
On The Night Of APRIL 26TH, 2003 At Zenith. Large Up
The Crew On-Scene To Catch This Glorious Stage Show
From The One And Only FireMan Himself CAPLETON Yuh Dun
Know!

T R A C K L I S T I N G
01 Jah Jah City
02 Mashing UP The World
03 Cooyah Cooyah
04 Slew Dem
05 Whoa Whoa
06 Look Goodin Har Clothes
07 Dislocate The Heart
08 CAN, t Sleep RK Night
09 Why DO The Heathen Rage
10 The Wicked one Fall
11 If You Dis Marcus
12 Tour
13 Raggy Road
14 Mi Deh Ya Yah
15 Stay far From Trouble
16 Crazy Look
17 in Your Eyes
18 Burning You

E X T R A S
19. Bongo Herman - Intro
20. Jah Thunder - Fine Mek It Burn
21. Military Man - Give Thanks
22. Moses I - Gideon Red / Nah Bow
23. Culture Knox - Buzz Rock Warrior

B I O G R A P H Y
A wise man once said that a prophet is never honored
in his own country. And so it has been with Capleton.
While the veteran DJs words and works long ago
earned him the title of The Prophet, the respect
and honor that should rightfully be his have been a
long time coming. Anytime you try to uplift
righteousness and upliftment of the people them,
then you ah go get a fight, says the hottest
entertainer in the worldwide reggae fraternity. Bob
Marley come do it and them fight him. And when Bob
Marley dead, thats when they start to endorse him.
I already aware of this, I am not unaware. So I know
the more them fight I is the more I get stronger In
the fast-moving world of dancehall reggae, fame and
success are hard to obtain and easy to lose. Fans
can be fickle, and trends change in the blink of an
eye, leaving most entertainers with painfully short
career spans. Only a rare few can remain relevant
from yr to yr, holding their audiences attention and
leaving them crying for more. His lyrics are deep,
precise, and thoughtful. His stage shows are nothing
less than dynamic, explosive performances. But his
remarkable staying power and longevity may be
Capletons greatest gift.

Born Clifton George Bailey III on April 13, 1967, in
the rural parish of St. Mary, Capleton earned his
future stage name from friends who were so impressed
with his sharp reasoning skills that they named him
after the most famous lawyer in town. From a tender
young age, he was a lover of the traveling sound
systems, sneaking out at night to catch the vibes
until dawn. But it wasn't until he turned 18 and
moved to Kingston that he was able to realize his
destiny.

It was Stewart Brown, owner of a Toronto-based sound
called African Star, who gave the untested artist his
first break, flying him to Canada for a stage show
alongside giants like Ninjaman and Flourgon. The
audience poured out their appreciation, and he never
looked back. When Capleton first burst on the scene
in the late 1980s, the dancehall was a very different
place than it is today. Slackness and gun talk were
the order of the day. This bright promising newcomer
announced his arrival with a string of hit songs from
BUMBO RED to NUMBER ONE ON THE LOOK GOOD CHART and
LOTION MAN Everything he touched hit the sound-good
charts, and the youthful artist with the nimble
vocabulary and hardcore voice quickly established
himself as one of dancehalls most reliable hitmakers.
But even he could not have predicted that eleven yrs
later, at the start of the new millennium, he would
be dancehalls ruling voice.

I think the people dem see say me really deserve
that because of the amount of years me put in,
Capleton says, and we never really bow and we still
hold the faith. We stand up for whatever we a say.
Yeah and we really work for it. And them say by your
works, a so you get your pay. The people them see
the amount of fight me face and the whole heap of
accusation. And me still never give up

When he dropped the tune ALMS HOUSE in 1992, Capleton
established himself as more than an entertainer but
as a guiding light of righteousness through music.
UNITED WE STAND AND DIVIDED WE FALL he sang for the
benefit of his fans and dancehall comrades. Nuff of
them nah go know themself till them back against the
wall. A few years later he came back with yet another
antidote to the clashing and rivlary that had taken
hold of the dancehall business. MUSIC IS A MISSION ,
he reminded his fellow artists, NOT A COMPETITION.
Some man use the music to cause confusion. The path
of this dancehall Prophet was clearly established in
1994 with a string of songs that declared his
newfound faith in Rastafari. INI sight up the light
and see say really, yunno, Rasta is real, he recalls.
founder of the world, because Rasta did come set the
trend. understand. Rasta is life.

The first words of his mega-hit DIS THE TRINITY made
it plain that the DJ had experienced some kind of
revelation. I was once lost but now Im found, he
stated, Selassie I live every time. Capleton became a
strong advocate of the teaching of the Jamaican
National Hero, Marcus Mosiah Garvey, founder of the
Universal Negro Improvement Association and advocate
of universal black repatriation. Babylon rewarded us
with hatred for our love, he declares. They taught us
to rape, steal and kill. For instance, they stole our
literature and taught it back to us in a different
manner so as to infiltrate our minds with foolishness
and other misconceptions. Now we as black men do not
see ourselves as prince and prophets, but as punks
and guys. Our women do not see themselves as queens,
princesses or empresses anymore, but as harlots and
concubines. The only solution, as Bob Marley advocated,
is to emancipate oneself from mental slavery.

Over the years INI as a nation and a people, them no
really teach INI nuttin bout INI black self. You know
I mean? Them teach INI them give we European philosophy.
So INI and some other youths a try emerge now, we ask
certain question and we ask fi certain things. Caw we
know say an institute, or in a college, or in a certain
organization we need we Ethiopian curriculum, we need
the black man thing. We need to know about weself.
Becaw the prophet Marcus Garvey did show we say, A
nation without no knowledge of them own history is like
a tree without a root. And if you dont know where youre
coming from, youre not gonna know where youre going.

Even as he uplifts the black race, Capleton always
makes a point of clarifying that he does not seek to
alienate any race. We are not being racial nor
prejudiced star, he says. Becaw we know Jah is for
everyone. But where history and prophesy in concerned,
that is our witness and we have to be ourself, and we
cannot hide from the truth. Caw we woulda be a traitor
and a sellout to ourself. And you cannot sell out
yourself.

Soon thereafter came the song TOUR a blazing state of
the dancehall report written in the weeks following
the slaying of Panhead and Dirtsman, two of Capletons
fellow artists. That song not only became an anthem of
the roots revival within the dancehall, but a hip hop
flavored remix of that song hit the Billboard charts,
opening up a huge new audience to Capletons messages
of righteousness.

There followed a relationship with Def Jam records,
who released two Capleton albums, PROPHECY and
I-TESTAMENT, which featured memorable collaborations
with rap stars like Method Man and Q-Tip. Both records
were warmly accepted by the international audience,
but as the millennium drew to a close, Capleton sensed
that it was time to return to his core audience. He had
work to do. I have to be myself, right? And I only can
be me, he reasons. So whichever way fi make me be me,
I work with dat. understand.

Capleton is now at the height of his powers. 1999 and
2000 have brought a ceaseless string of sound system
favorite and dancehall chart toppers like the anti
-violence anthem JAH JAH CITY and GOOD IN HER CLOTHES
a message of respect for the sisters who carry
themselves like Empresses rather than. But even as he
completes his mission of upliftment, Capleton has had
many critics. One of his biggest hits, in fact, is
addressed the naysayers in the press and the ivory
towers of power. Critics wont leave I alone, chats the
Prophet. They say they cant take the fire weh me put
pon Rome

Many of Capletons songs and most of his critics make
mention of this blazing fire. Capleton hopes to clear
up the confusion once and for all. Is not really a
physical fire. Is really a spiritual fire, and a
wordical fire, and a musical fire. You see the fire is
all about a livity. But is people get it on the wrong
term. People get confused. So when a man say more fire
him think that mean say you fi go light the cane field
or go light the church. Fire, Capleton explains, is a
way of reminding ones brother that they are going
astray. That way a man know say him doing something
wrong. That even give him the urge to know say Yo check
up on yourself. What youre doing is not right, or else
him would not say Fire fi dat, or Burn dat or More fire.
If we go check it back now, he continues, fire is for
the purification of earth, anyhow you check it. This
earth itself have to even emerge from the literal fire
also, which is the volcanic activity, we a talk bout
lava. The hottest element to rise us in the morning is
the sun. The water cleanse, but its still the support
from the fire that burn the water, burn out of the
bacteria so the water coulda heal we fi cleanse. The
herb heal, but its still the fire fi burn the herb so
the herb coulda heal we also.
courtesy of Rob Kenner} (www.vprecords.com)

G R E E T I N G S

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