xREL.v3

AURORA PROUDLY PRESENTS

Korn.The.Path.Of.Totality.Special.Edition.2011.NTSC.BONUS.DVD9.MDVDR-AURORA

RELEASE INFO

Date.....: 15/12/2011         Source...: NTSC DVD9
Genre....: Hard Rock          Aspect...: 16:9
Runtime..: 112 mins           Files....: 68x100MB

Link.....: http://www.amazon.com/Path-Totality-Special-CD-DVD/dp/B005V1WZ10/ref=sr_1_1?ie=UTF8&qid=1324018674&sr=8-1

.:(VIDEO):.          .:(MENU):.             .:(EXTRAS):.
Untouched   [X]      Untouched      [X]     Untouched         [X]
Re-encoded  [ ]      Re-encoded     [ ]     Re-encoded
Passes      [ ]      None/Stripped  [ ]     None/Stripped
Bitrate  [    ]                             Partial Stripped

.:(AUDIO):.                                 .:(SUBS):.
English     [X]      DD 2.0 Mono    [ ]     English
French      [ ]      DD 2.0         [ ]     French
German      [ ]      DD 5.1         [ ]     German
Spanish     [ ]      DTS            [ ]     Spanish
Dutch       [ ]      LPCM           [X]     Dutch
Other       [ ]      Other          [ ]     None              [X]

.:(Track List):.

This CD/DVD set includes a 2-Hour Live DVD of The Encounter Crop Circle Concert,
exclusive interview footage, and 2 exclusive bonus tracks.

RELEASE NOTES

Korn remembered who they were just in time to forget it all again on The Path of Totality,
an unexpected left turn into dubstep and all manner of dark electronica from the kings
of nu metal. Unexpected this move may be, but not unnatural. Korn always emphasized texture
over riffs, so shifting from a gray guitar grind toward claustrophobic electronic collage
doesn't induce shock, apart from the shock that the album actually works.

Korn's cast of collaborators -- notably the Grammy-nominated Skrillex, but also Noisia, Excision,
Feed Me, and 12th Planet -- does not redefine the band's character but rather reinterpret
it, retaining the same tempos, the same creeping minor-key melodies and riffs,
the same sense of enveloping angst that have been present since their 1994 debut.

The difference of arrangement -- heavy on skittish drums and electro walls of assault -- has the
curious effect of making Korn seem not adventurous but rather mature: the content of Jonathan Davis'
rants matter less than his tone, and the producers have folded his vocals, along with Munky's buzzing
guitar, into a web that feels like Korn even if it doesn't strictly sound like any other Korn album, not
even the industrial-funk of See You on the Other Side.

Despite all the electronics, there's no mistaking The Path of Totality as a Korn album...and one of their
better ones to boot.

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